And here it is! The cover of Outlaws, my contemporary reimagining of Robin Hood
Many thanks for the wonderful Hannah Linder Designs for bringing this to life!
The book will be available April 15th. Buy links to come!
And here it is! The cover of Outlaws, my contemporary reimagining of Robin Hood
Many thanks for the wonderful Hannah Linder Designs for bringing this to life!
The book will be available April 15th. Buy links to come!
Eleven years ago, I started writing a Robin Hood retelling. It comes out next month.
As a lead up to the cover reveal, I will be reviewing other people’s Robin Hood retellings here and on Instagram over the next week.
Watch this space!
The best book I read this month was a truly satisfying work of historical fiction, Lady Macbeth by Susan Fraser King. As King makes clear in her cover blurb, this not the Lady Macbeth of Shakespeare. Instead, this is a fictionalized account of the historical Lady Macbeth, and she is far more sympathetic figure than the play’s version.
The story takes placed in medieval (12th century) Scotland, and Gruach (Lady Macbeth’s given name) is the daughter of Scottish warlord. The kingdom is torn, facing threats from both the Danes (Vikings) and the English while the elderly king clings to power. What follows is, if you’re familiar with the play, the expected machinations but with nuance and depth. Even Macbeth is more sympathetic in this account.
In addition to creating two sympathetic lead characters, King also does an excellent job of immersing the reader in an unfamiliar world. We see that Scotland’s Celtic traditions under threat from growing Christian and English influence. It affects everything from how Gruach mourns to how the Scottish crown is handed down. Everything about Gruach’s way of life is at risk, and it’s hard to read this story and not feel empathy for her. If anything, this made me love the story of Macbeth even more.
The best book I read this month was a retelling of classic fairy tales. Mary McMyne’s The Book of Gothel reimagines the story of Rapunzel, while also weaving in retellings of Snow White and Little Red Riding Hood. Specifically, the book tells the story of the witch who took Rapunzel and, as you might expect, it’s not the fairy tale that has been handed down over the generations.
Set in the twelfth century in the Black Forest region of what is now Germany, The Book of Gothel follows the life of a young woman named Haelewise. We first meet Haelewise in the frame story, in the words she left behind in a manuscript being studied by a modern scholar. Ostensibly, the chapters that follow are the story that Haelewise recorded in her manuscript.
Haelewise lives on the outskirts of her town, physically and socially. Her mother is the town midwife and once followed the old (read: pagan) religion, both of which put her and her daughter under suspicion. Compounding this, Haelewise herself suffers from spells, signs of demon possession to the Christian townspeople. Haelewise seeks safety in a place she’d only heard about in legend: a magical tower in the woods where women are offered care and protection.
The story is a mix of social commentary, political intrigue, fairy tale magic, and historical fiction. (Hildegard of Bingen makes a guest appearance.) It is a story of women struggling for respect and autonomy in an increasingly patriarchal society. It is a story of love and adventure. It’s everything I look for in a retelling—imaginative, inventive, yet rooted in the source material. I thoroughly enjoyed it.